1986 was the year when I graduated for the second straight year after my internship. Now, people go on and on these days about how great of an economic recovery that the Eighties experienced, but the reality was that the recovery really did not begin for another two years, as the President most associated with the recovery was leaving office. Why do I bring this up? Well, this was the reality facing my eleven classmates and me upon graduation. For the first time in the history of St. John’s School of Medical Technology, no one from a graduating class was hired as a tech. Luckily, I was the first in our class to be hired, but we had to move to Oxford, Ohio, while the rest of my classmates took up to six months to a year until we were all employed as techs. I actually had three job offers, all of them at little 60-bed hospitals in and around Cincinnati. We chose Oxford for the salary and because Oxford is a cool town.
Now, in 1986, music began to bounce back a bit from the underwhelming year of 1985. After three straight legendary albums, Athens, Georgia band R.E.M. released their first second masterpiece which was, ironically enough, recorded in Indiana at John Mellencamp’s studio, produced by Mellencamp’s producer Don Gehman. The band’s garage-based background truly came alive on this album. The English version of R.E.M., The Smiths, also released their masterpiece album, The Queen Is Dead. This album was played by college students all over Oxford that year. The other big alternative album of the year was by XTC, who, with the production by Todd Rundgren, conjured up images of the Summer of Love 19 years later, with their loving parody of The Beatles’ Sgt. Pepper album, only with a Gen X cynicism underlying the production sounds on their album Skylarking.
A couple of diverse artists had huge commercial breakthroughs. First, the American version of Def Leppard, Bon Jovi, took the advice of a group of Toronto teens as to which songs they recorded should be put on their new album, Slippery When Wet. Then, there was the Jackson family’s youngest member declaring her independence when she followed her newly declared independence by going to Minneapolis for a touch of the Purple Sound as Jimmy Jam and Terry Lewis made their reputations as producers with Miss Jackson’s Control album. And, then, in one of the largest surprises since Tina Turner’s great 1984 comeback, one-time Genesis frontman Peter Gabriel finally had his big commercial breakthrough with his album So and his first number one hit single “Sledgehammer.”
One other significant breakthrough happened with hair metal gained more commercial inroads as the Cheap Trick tribute band Poison broke through with their first hit song, “Talk Dirty to Me”, and the album from which it came Look What the Cat Dragged In sold in big numbers. This happened while rap music began hitting the Top 10 on both the Album and Singles charts behind Run-DMC and Beastie Boys, marking the beginning of commercial success for the former underground musical sensation rap music.
Additionally, as a reaction against the assent of hair metal, popping up from the underground, was another form of heavy metal, known as thrash metal, led by the “Big Four”: Metallica, Slayer, Megadeth and Anthrax, who all released classic albums of the genre, and any other, this year. And, although, Metallica bassist Cliff Burton lost his life in a bus crash in Europe, Metallica was destined for greater heights in the very near future. And, metal proved its commercial appeal with great albums from Iron Maiden and David Lee Roth. Also, the alternative underground was gaining steam behind Hüsker Dü, Bad Religion, Minutemen and Billy Bragg, among many others.
Finally, apartheid, the evil oppression of the majority blacks in South Africa by the minority population of whites began to unwittingly crack when Paul Simon defied established sanctions by traveling to the banned country so he could record new music with black South African musicians to create his cultural landmark album Graceland. Not only did Simon showcase the talents of these musicians, but he unwittingly led the uprising of the blacks behind Nelson Mandela to peacefully wrestle power away from the minority rule. Truly, this was a beautiful moment in rock history.
With that background out of the way, it is time for the countdown. So, let’s get this party started! (Sorry P!nk!)
- R.E.M. – Lifes Rich Pageant
- Prince & the Revolution – Parade
- XTC – Skylarking
- Peter Gabriel – So
- Paul Simon – Graceland
- The Smiths – The Queen Is Dead
- Run-D.M.C. – Raising Hell
- Beastie Boys – Licensed to Ill
- Game Theory – Big Shot Chronicles
- Janet Jackson – Control
- Metallica – Master of Puppets
- Hüsker Dü – Candy Apple Grey
- World Party – Private Revolution
- Pet Shop Boys – Please
- Talking Heads – True Stories
- Bruce Springsteen – Live/1975-1985
- Slayer – Reign in Blood
- Crowded House – Crowded House
- Depeche Mode – Black Celebration
- Queen – A Kind of Magic
- Robert Cray Band – Strong Persuader
- Wham! – Music from the Edge of Heaven
- David & David – Boomtown
- Elvis Costello & the Attractions – Blood & Chocolate
- The Style Council – Home & Abroad
- New Order – Brotherhood
- The Housemartins – London 0 Hull 4
- Various Artists – C86
- Anita Baker – Rapture
- Joe Jackson – Big World
- Talk Talk – The Colour of Spring
- Van Halen – 5150
- Bangles – Different Light
- The Human League – Crash
- Billy Idol – Whiplash Smile
- Madonna – True Blue
- Georgia Satellites – Georgia Satellites
- The The – Infected
- David Lee Roth – Eat ‘Em and Smile
- Bon Jovi – Slippery When Wet
- Cameo – Word Up!
- Iggy Pop – Blah Blah Blah
- Belinda Carlisle – Belinda
- Bruce Hornsby & the Range – The Way It Is
- Lionel Richie – Dancing on the Ceiling
- Eddie Money – Can’t Hold Back
- Public Image Ltd. – Album
- Boston – Third Stage
- Billy Joel – The Bridge
- Cyndi Lauper – True Colors
- Genesis – Invisible Touch
- Huey Lewis & the News – Fore!
- Bob Seger & the Silver Bullet Band – Like a Rock
- Journey – Raised on Radio
- The Costello Show (aka Elvis Costello) – King of America
- Poison – Look What the Cat Dragged In
- James Brown – In the Jungle Groove
- The Fabulous Thunderbirds – Tuff Enuff
- Cinderella – Night Songs
- The B-52’s – Bouncing Off the Satellites
- Pretenders – Get Close
- The BoDeans – Love & Hope & Sex & Dreams
- Dwight Yoakam – Guitars, Cadillacs, Etc., Etc.
- Patti LaBelle – The Winner in You
- Billy Ocean – Love Zone
- Steve Winwood – Back in the High Life
- Europe – The Final Countdown
- Tina Turner – Break Every Rule
- Doug E. Fresh – Oh, My God!
- Nick Cave & the Bad Seeds – Your Funeral…My Trial
- Megadeth – Peace Sells…but Who’s Buying?
- Big Audio Dynamite – 10, Upping St.
- Aretha Franklin – Aretha
- Luther Vandross – Give Me the Reason
- Steve Earle – Guitar Town
- Billy Bragg – Talking with the Taxman About Poetry
- Bad Brains – I Against I
- Communards – Communards
- The Go-Betweens – Liberty Belle and the Black Diamond Express
- Jackson Browne – Lives in the Balance
- Duran Duran – Notorious
- Various Artists – Top Gun OST
- They Might Be Giants – They Might Be Giants
- Stryper – To Hell with the Devil
- Violent Femmes – The Blind Leading the Naked
- Electric Light Orchestra – Balance of Power
- Ozzy Osbourne – The Ultimate Sin
- Van Morrison – No Guru, No Method, No Teacher
- Kool Moe Dee – Kool Moe Dee
- Freddie Jackson – Just like the First Time
- Concrete Blonde – Concrete Blonde
- Whodini – Back in Black
- Salt-n-Pepa – Hot, Cool & Vicious
- Big Black – Atomizer
- Throwing Muses – Throwing Muses
- Iron Maiden – Somewhere in Time
- Sonic Youth – Evol
- Love & Rockets – Express
- Siouxsie & the Banshees – Tinderbox
- New Kids on the Block – New Kids on the Block
And, that’s a wrap on another year of this great decade called the Eighties. We have just three more to go as we head into a big holiday weekend. I hope you all will check in the upcoming days as I wrap up the music of the great Eighties. Cheers all!