Year: 2020

Welcome to Day 2 of this epic listing of my 1000 favorite albums. To me, even if I had take away the first day’s listing of amazing albums from the early days of the LP and rock music and simply focus on the music released during my lifetime, you would still have an amazing list of 990 albums. As I let that statement sink in for a moment, I have truly live through a period of time in which art and popularity actually intersecting with an exploding amount of disposable income. So, to all the artists on my list, thank you for sharing your talents and visions in a setting that moved me and helped me deal with all of the insecurities I have had as an evolving human.

I pick up my list in 1963, the year in which I was born. That year corresponds to when the album concept began to follow the standards set with the previously by viewing the long player as a total musical experience, not a collection of singles and some songs. This year also marks the year in which Rock & Roll began to morph into Rock music. It’s hard to explain, because I do not truly have a grasp on the metamorphosis, but let’s simply say that music began to include the full human experience in lyrical and musical form during this time. Suddenly, relationships, society, political stances, racial barriers, etc., were all being evaluated in this budding art-form,  moving away from the teenage laments of the early days. Additionally, the music was getting more sophisticated and becoming more of a melting pot of sounds.

And, I feel, this evolution is being displayed with today’s list. Once again, I hope this pushes you to discover or rediscover this terrific music.

Bob Dylan – The Freewheelin’ Bob Dylan (1963). At the time, Bob Dylan was a newly anointed folk god. But, my goodness! Just look at the number of rock and folk standards are on this album: “Blowin’ in the Wind,” “Girl from the North Country,” “Masters of War,” “A Hard Rain’s A-Gonna Fall” AND “Don’t Think Twice, It’s All Right.” On one album?!?! Are you kidding me?!?! That list says everything that needs to be said.

James Brown – Live at the Apollo (1963). Everything you need to know about the beginnings of funk and soul is right here. This is the Godfather of Soul’s natural habit, in the live setting, dancing and leading one of the finest musical ensembles through its paces. To this day, this remains one of the greatest live performances ever captured on vinyl.

The Beatles – A Hard Day’s Night (1964). I understand that people believe everything The Fab Four released was magical. And, quite possibly, it was. But, this soundtrack to the band’s first film is a true musical statement. Lennon & McCartney’s songwriting was on the cusp of breaking onto a whole new level. Highlights include early-Beatles standards like the title song, “I Should Have Known Better,” “And I Love Her,” “Can’t Buy Me Love” and “Things We Said Today.”

Bob Dylan – Bringing It All Back Home (1965). This is the album on which Dylan was making the transition from folkie to rocker, actually going electric on one side of the vinyl album. Here we find such Dylan classics as “Subterranean Homesick Blues,” “Maggie’s Farm,” “Mr. Tambourine Man” and “It’s All Over Now, Baby Blue.”

Bob Dylan – Highway 61 Revisited (1965). I would have loved to been a college student when this album was dropped, because I have read and heard many times that with the first crack of the drum which begins the first song, the immortal “Like a Rolling Stone,” was the sound of a whole new world opening. From the moment in which I consciously thinking this song is fantastic as a tweener, “Like a Rolling Stone” actually opened me up to new listening possibilities. Then, the former Robert Zimmerman throws in such classics as “Ballad of a Thin Man,” “Just like Tom Thumb’s Blues” and “Desolation Row.”

John Coltrane – A Love Supreme (1965). Coltrane beat his addictions before the recording of this album, so it is stuffed fully of spiritual hope all the while incorporating all of his previous innovations into a beautifully moving album. Definitely not only a jazz milestone, but a musical one.

Otis Redding – Otis Blues (1965). It’s such a shame that Otis was only a couple of years away from his premature death, because when you listen to Otis Blue, you hear an artist actually finding his total vision. We all knew what kind of singer Redding was, but now his songwriting and band leadership was just beginning to peak. Plus, the man knew how to interpret others in a way that made the songs into his own. This contains his original version of “Respect,” which we all know that Aretha Franklin eventually turned into HER song. This album is a wonderful milestone of Sixties R&B.

Roger Miller – The Return of Roger Miller (1965). This might be more of a sentimental choice as I remember constantly begging my babysitter to play this album because I loved “King of the Road.” But, who didn’t? And, for that matter, who doesn’t? To me, this album was the epitome of country cool. And, I loved how I could get lost in his lyrics. While all the “little” kids were napping, I was learning about American music from this album.

The Beach Boys – The Beach Boys Today! (1965). This album represents the end of the surf/girls/hot rods version of the Boys, but it is the pinnacle of that period. Classic songs are sprinkled throughout the album, with “Dance, Dance, Dance” and “Help Me Ronda” leading the way. This album was the extension of the change Brian Wilson was making in his songwriting and production work that began with “California Girls” and will blossom in the next couple of years.

The Beatles – Rubber Soul (1965). Over the years, I’ve battled through which phase of The Beatles I have loved the most. My power pop side says it’s all about the early stuff. My sophisticated side says I’m all about Abbey Road. But, for the better part of two decades, I say 1965 and 1966 are MY years, beginning with this album. Even when I bought my first Beatles album (The Red Album, their greatest hits 1963-1966), I loved the songs from these years more than anything else. And, Rubber Soul contains “Drive My Car,” “Norwegian Wood,” “You Won’t See Me” (Badfinger’s whole career seems to be based upon this song), “Nowhere Man” (!!!), “Michelle” and one of my all-time faves “In My Life.” This is just a magical album.

The Byrds – Mr. Tambourine Man (1965). One day, folk and rock were seemingly two separate entities. Then Los Angeles’ The Byrds combined them into something of the Reese’s Cup of rock music. And, nothing’s been the same ever since. If these guys had just taken Bob Dylan’s songs and made them into rock songs, The Byrds’ career would be noteworthy. But, as America’s “answer” to The Beatles, they expanded upon The Beatles’ vocal harmonies, introduced the world to the Rickenbacker twelve-string guitar and laid the groundwork for future rockers such as Tom Petty, R.E.M., Matthew Sweet and a whole generation of others.

The Who – The Who Sings My Generation (1965). THIS is rock music! What The Who brought to the table is immeasurable! Without this album, the world would not know The Jam, Oasis, Blur and so many others. The Who’s music simply explodes from your speakers and pummels your soul. The Who had something of a soccer hooligan’s persona in musical form, and the whole punk movement of the Seventies thanks you.

The Yardbirds – Having a Rave Up with The Yardbirds (1965). The Yardbirds have become legendary for being the training grounds for three of rock’s most legendary guitarists: Eric Clapton, Jeff Beck and Jimmy Page. And this album lays the groundwork for all of classic rock, even though much of it has been forgotten over time. Allow me to point out just one song” “The Train Kept A-Rollin’.” That song has been covered by many artists, most famously Aerosmith, who made an influential career out of that sound. Plus, both Jimmy Page AND Jeff Beck arguably started bands that invented hard rock, if not heavy metal, with Led Zeppelin and The Jeff Beck Group respectively.

As classic as all of these albums are, we will begin to wade through some the immortals soon. And, although the work into this series has been arduous, it has been nonetheless fun.

Well, here we go, just as promised. As I briefly stated last week, I have been working on perhaps my largest undertaking for this blog. That’s right, I have identified 1000 albums that I love and/or feel are important enough to mention. Some are obvious. Others are not. Many are critically acclaimed, while a few are critically ridiculed. Many are generally considered to be groundbreaking, while a few are obscure and near to my heart.

Previously, I stated that none are compilations. Well, that is not entirely true. Actually, the first two albums that I will cover are considered to be greatest hits packages. However, those artists, Robert Johnson and Chuck Berry, never really released important albums, yet both had many important singles that became the foundation of this thing we love called rock music.

First of all, I tend to focus on singles and songs in this blog that it may surprise you that although I LOVE the single, I find the album to be the ultimate statement of an artist’s talent and musical vision. Whether that album is a concept album, such as Tommy or American Idiot, or a simply a flex of musical muscle, like Pet Sounds or London Calling, those long-playing records are the statement of that artist’s musical mindset. Many of these albums were never intended to be a collection of songs with a cynical eye toward selling loads of singles and surrounding those couple of hits with filler. No, all of these albums are considered to be huge musical statements by the artist.

So, let’s get this thing going, chronologically.

Robert Johnson – The Complete Recordings (1990). Robert Johnson’s life and talent is full of rumor and debate. Regardless, of whether the man was actually Robert Johnson, received his talent from the Devil, or some other story, his music was highly influential to many of the Sixties blues-based artists especially Eric Clapton. The English youngsters of the Sixties took this as the foundation of their careers. This box set collects all of his important recordings in one place.

Chuck Berry – The Great Twenty-Eight (1982). Say what you will about who is the King of Rock, whether you think it is Elvis Presley, Little Richard or even, according to their album and song, Run-DMC, a case can be made for Chuck Berry. These 28 songs represent the actual foundation, along with Johnson’s songs, of rock music. You can hear Berry’s influence in the early hits of The Beach Boys and throughout the career of The Rolling Stones.

Frank Sinatra – In the Wee Small Hours (1955). To hear my wife tell it, Frank Sinatra set the stage for the reaction of teenybopper females to a singer. But by the time 1955 rolled around, Sinatra’s star was fading a bit when he was teamed with arranger Nelson Riddle. Together, this duo created what many consider to be the first artistic musical statement across a 33-and-1/3 rpm long playing record. And although Sinatra’s music is not really rock music, his attitude and vulnerability is, and this album may just be the one that has influenced rockers from Bob Dylan to Bono. It’s full of melancholia and evokes the whole feeling of leaving a bar by yourself.

Elvis Presley – Elvis Presley (1957). Here’s the beginning of rock & roll in album form. Simply put, everything about this album is just flat-out rock. From the timeless songs, many of which were left over from Elvis’ Sun Records sessions, to the album cover artwork, this album set the standard. The album cover photograph alone influenced a whole rock photography industry, but the artwork signaled the times were really a-changing. And, I have yet to really mention the music. Certainly, possibly the actual Sun Sessions compilation might show the immediacy of Elvis’ music, but this album displayed the commercial clout that rock & roll would have from this moment onward.

Little Richard – Here’s Little Richard (1957). Little Richard liked to remind everyone that HE was the King of Rock. And, when you here his unparalleled flamboyance and energy on this set of songs, you believe his assertions. If this album only contained “Tutti Frutti,” “Long Tall Sally” and “Rip It Up,” it would be a classic album, but throw in the rest of the kitchen sink and it becomes timeless. Without Little Richard, there’s no Jimi Hendrix, George Clinton nor Prince. The man was the whole package: songwriter, arranger, singer, pianist and visual artist.

Howlin’ Wolf – Moanin’ in the Moonlight (1959). What can you say about this blues/R&B classic that broke down the door for the Chicago blues sound? This was Wolf’s debut, and it is stacked with classics that set the standard for the icon himself. The title track, “Smokestack Lightnin'” and “Evil (Is Going On)’ are the standards of the album.

Miles Davis – Kind of Blue (1959). Not too many artists have released an album that defined a whole genre, but Miles Davis, quite possibly THE coolest musician ever, did it twice. Kind of Blue was Davis’ first, and perhaps, most visionary album. This album defined jazz for many decades to come. This album continues to be a source of discovery sixty years later.

Ray Charles – The Genius of Ray Charles (1959). When Rock & Roll hit, there were many talented musicians out there, but none had the ability to synthesize a new sound from disparate forms of music like Ray Charles could. And, when you factor in the knowledge that he had the foresight to allow his friend Quincy Jones to arrange many of these songs, you realize Charles is a man of unparalleled vision. Unbelievably, this is NOT Charles’ biggest musical statement, even though the album does contain is great hit song “Let the Good Times Roll.”

Etta James – At Last! (1961). Okay, I understand in this era of all those televised vocal competitions that people think the Whitney Houston/Mariah Carey/Christina Aguilera-type of vocal dynamics are the standard. But, please people, go back and listen to this album to hear a voice that emotes and growls and displays a female toughness that is missing in today’s pop. James takes the R&B/Blues mantle with this album. If she had only recorded the title track for this album, it would be a classic. But, throw in “Anything to Say You Are Mine,” “I Just Want to Make Love to You,” and “Stormy Weather (Keep Rainin’ All the Time,” and you have an album for the ages.

Ray Charles – Modern Sounds in Country and Western Music (1962). Brother Ray’s management thought he was crazy when Ray proposed making an album of country music standards. What does a black man know about this stuff? Are you kidding me? Ray had a grasp of every form of music including country, which was ingrained in him as a child. But he made these songs HIS own. There is not a dull moment on the album, becoming quite possibly the first out-and-out classic album of the rock era as Charles celebrates American music.

And, there are the first ten albums on my list, and only 990 more to go. Honestly, this has been a wonderful time just listening to these albums all over again as a refresher. I hope this inspires all of you to go through these albums because they represent my time capsule and the soundtrack to my life.

I think the quarantine has finally broken me. When I first told my older son what I was going to do, he told me that I was going down a rabbit hole. My younger one told me to go big or go home. My wife simply shrugged her shoulders and went on doing whatever she was doing before I interrupted her.

After doing my one-hit wonders countdown, I knew I wanted to take a week to gather myself. Then, I started going through my rock reference books for ideas. Then, my older son sent me a list that he and his wife were working on concerning a re-ranking of Rolling Stone magazine’s Top 500 Albums of All-Time. They had been spending their time listening to every non-compilation album in the countdown, then let his wife rank them. Periodically, they would send me videos of their daughter dancing to various songs, her favorite being “London Calling” by The Clash.

Being one to never get out done by my friends and relatives, I picked up my copy of 1001 Albums to Hear Before You Die and starting to thumb through it. Additionally, I pulled out my copy of that particular Rolling Stone issue and began taking notes. Slowly, I started to compile a list of 600+ albums that I love to hear. After that, I referenced lists of Top Albums of every year from 1955 to 2019. I scoured NME‘s Top 500 Albums of All-Time list, as well as most any other list I could find. Methodically, my list grew to over 1100 albums.

Originally, my goal was to narrow the list to 500, but I have NEVER been a great editor, as you may have noticed with all my grammatical, spelling and research errors, as well as my overblown lists. So, I asked my boys what they thought about a list of 1000 albums? Well, you read their responses. In addition to those responses, the consensus was that I was nuts. But, that’s what I have done!

And, since I am basically a math and science nerd, I have some statistics concerning this list. First, Bob Dylan and David Bowie both lead the way with 11 titles on my list, followed by Bruce Springsteen and Paul Weller (because I included The Jam and The Style Council in his count) with 10, R.E.M. with 9, Neil Young has 8, Van Morrison 7, 13 artists with six, 8 with five, 20 with four, 53 with three and 97 more artists with two albums. And, can you believe that this ultimate Prince fan only placed five of his albums on this list? It’s true!

And since I am now officially in my late-50s, my list obviously emphasizes the years 1975-1984, but the majority honestly rests is a 27-year period from 1968 to 1995 during which most of my list were originally released. That means I began listening to albums a bit from age 5 to 32, when my album interest slowly waning over the past quarter century. My top five years, in order, were 1980, 1981, 1979, 1970, 1977 and 1978.

So, am I beginning this list today? Nope. I simply wanted to let you what kind of epic I have been working on. Now, this list is NOT a ranking. Actually, I will be going through this list chronologically, by album release date. This list is what I think have been some of the most enjoyable and interesting albums over the years.

From what I read, there is a fine line between genius and insanity. Obviously, we know what my family thinks, though I tend to have delusions of grandeur. Regardless, this my very well end up being my nadir. Here’s to the quarantine!

Finally, we have reached the best of the best, the big enchilada, the Top 20 of this countdown. Herein lies my list of the one-hit immortals. Some are well-known and well-loved, while others may have been forgotten but will definitely bring back memories.

I love doing countdowns mainly because I was addicted to Casey Kasem’s fantastic weekly radio program American Top 40 (AT40). AT40 was the one thing I loved on the radio, especially from 1974, when I discovered it, to around the time in the late-Eighties when someone got the bright ideas of (1) editing out all rap songs from the broadcasts, and (2) replacing Casey Kasem with Shadoe Stevens. Nothing against Shadoe, as he was an excellent on-air personality, but he was never as a comforting voice as Casey. At least, that’s my opinion. Plus, you never want to be the person to replace a legend. You see that all the time in sports with player and coaching changes. And, I still believe that Casey deserves induction into the Rock & Roll Hall of Fame for his contributions to popular music.

I don’t know who coined the term “one-hit wonder,” but I learned of it from Casey Kasem. Plus, I remember him doing periodic One-Hit Wonder Countdowns himself, so it has been etched in my mind for 40+ years. So, let’s get this thing rolling!

20. Buffalo Springfield – “For What It’s Worth” (1967). This group only lasted for two albums, but their impact was so immense that they were inducted into the RRHOF. Members of this band included Neil Young, Stephen Stills and Richie Furray (of Poco). Yet, this was the band’s only Top 10 hit. They sure did it right.

19. ? & the Mysterians – “96 Tears” (1966). This has got to be THE pre-punk rock classic of them all since it was covered by nearly every punk band in the Seventies and early-Eighties. The blueprint for punk rock is found here, from its Farfisa organ to the eerie vocals. This one grabbed me at a very young age and never let go.

18. M – “Pop Muzik” (1979). This quirky synthpop song heralded in the new wave era here in the States when it peaked at Number 1 late in the year of 1979. I still remember how cool I thought this song was and how it inspired me to seek out more synthpop artists.

17. The Surfaris – “Wipe Out” (1963). THE drummer’s song of all drummer songs, “Wipe Out” was often the song that separate the wannabe drummers from the budding drumming heroes. Plus, it does have the greatest vocalization introduction of all-time. This is rock & roll summed up in a three-minute song.

16. Dexys Midnight Runners – “Come on Eileen” (1982). This slice of Celtic folk-influenced new wave caused a big sensation on both sides of the Atlantic. And, you know what? This isn’t the band’s best song. I highly recommend their first two albums, as you get a a feel for what a talented songwriter leader Kevin Rowland is. I often wonder if the fictional band The Commitments, from the famous book and film, were based upon this band? Anyone know definitively, let me know!

15. Modern English – “I Melt with You” (1982). This song and band deserved a much better fate than it got. First, the song stalled way outside of the Top 40 upon its release. How in the hell does this song NOT land in the Top 10 here? Second, Modern English was a very talented band with a fantastic debut album. Yet, few know it. At least, it has made them more money over the decades than it did initially.

14. Redbone – “Come and Get Your Love” (1974). What a perfect pop/rock song! Redbone was a total Native American band who brought their culture to the forefront here in the States. It’s such a great song that it got life pumped back into it 40 years later when used in the first Guardians of the Galaxy movie.

13. Crazy Town – “Butterfly” (2000). Big things were expected by this band back when they dropped this song on an unsuspecting public. Allegedly, the song is based upon a Red Hot Chili Peppers bass riff. If so, kudos for great taste! And “Butterfly” sounds fantastic to this very day.

12. Bobby Fuller Four – “I Fought the Law” (1965). This is the other pre-punk rock classic, another Sixties tune covered by punks like The Clash and Green Day. What was it about Texan garage bands in the Sixties?

11. Sir Mix-A-Lot – “Baby Got Back” (1992). I know! This is not a hip hop purist’s choice, but as a pop song, Mix-A-Lot got in down in spades. There was no way he could ever top this one. C’mon! Give the man his due! He was a great gateway into hip hop culture.

10. Barrett Strong – “Money (That’s What I Want)” (1959). Barrett Strong was the first hit song for Motown. Additionally, it was the first song you here being played when Pinto and Flounder enter the Delta House with Bluto in my generation’s defining film, Animal House. How can you top a legacy like that? Well, in 1979, it became a one-hit wonder all over again for the cult band The Flying Lizards. Now, that’s a terrific history!

9. Harvey Danger – “Flagpole Sitta” (1997). My older son will kill me for this pick, but I don’t care. This is a great pop-punk song. And I don’t care that it was used to great effect in Clueless. This song is a dream.

8. King Harvest – “Dancing in the Moonlight” (1972). This Halloween classic is simply a timeless tune. I have heard many of my friends say this is their all-time favorite song. High praise, I think. Plus, the band’s name references a song title by The Band, which makes it all the better.

7. Love & Rockets – “So Alive” (1989). While living in Oxford, Ohio, I was very in tune with alternative rock, especially the work of Love & Rockets. But, I was not prepared for this very dark take on obsession with another person. It was sexy, sinister and soulful, which makes for a very exciting listen.

6. Sinéad O’Connor – “Nothing Compares 2 U” (1990). O’Connor was definitely on my radar when this song was dropped in 1990. Plus, I know this Prince song by is originally-released version by The Family. But, O’Connor stripped the song completely of the Prince touch and got down to its bare emotional essence. You can feel the hurt in her soul by the way she pours herself into the lyrics. She did NOT deserve the fate she got since we found out a decade later that she was absolutely correct about the child abuse happening in the Catholic Church. She deserves an apology by society.

5. Gotye featuring Kimbra – “Somebody I Used to Know” (2013). What an awesome song! It is nearly perfect. No wonder Gotye has been silent for the past seven years. Leave it alone and move on. None other than Prince had high praise for this one.

4. Sugarhill Gang – “Rapper’s Delight” (1979). This one brought rap to the masses. You can argue about the creative purity of the song, but it started a revolution that’s being felt to this day.

3. Soft Cell – “Tainted Love” (1981). Take a little known soul song from the early-Seventies, strip it down to its unnerving essence and turn it into a creepy song about the perils of love, and somehow, you have a hit song. But, man, it was so easy to learn the lyrics and it had that electronic hook. This is synthpop heaven.

2. Joy Division – “Love Will Tear Us Apart” (1980). Technically, never a hit over here, but I don’t care! This song influenced my generation like few others. Just like to alternative music throughout the Eighties and you can pick out the Joy Division influence. Once again, this song has stronger legs as it ages.

1. New Radicals – “You Get What You Give” (1998). Like I have said before about this one, I thought it was a new Todd Rundgren song when I first heard it. From me, that’s high praise. Then, as I listened to it more and more, I heard Daryl Hall & John Oates in it. Then, I realized the singer had a slight punk snarl to his voice. By the end of the song, I was convinced that I had just heard the greatest song of all-time. After this song became a hit, the creative force behind the band, Matt Johnson, broke the band up so he would become a one-hit wonder. Now, that’s commitment!

And, there you have it folks! My first COVID-19 pandemic countdown. I’m sure as this thing plays out, I will have more of these big countdowns since I enjoy them. But, they do take much work. Have a great weekend!

It’s Day 8 of this countdown of my 300 favorite one-hit wonders, and I have all ready discovered several songs that should have been in this list. I’ll never ever compile the perfect list of anything on this blog. And, as something of a perfectionist, or is it a OCD person, or some other personality quirk, that will always drive me crazy as long as I act as both the researcher AND the writer.

Today is one of those perfect days in which to be quarantined. It’s been rainy and cool all day long. For me, that means a stupid air pressure change that only aggravates the muscle spasms in my back and down my legs. When this happens, I usually go for the heavier music in my collection, such as Metallica (…And Justice for All is usually perfect) or Black Sabbath. But, when you couple a horrible night of sleep with and extra notch or two on my pain level, it becomes a moment when you simply want to curl up in a ball in bed and just let the world pass you by. Surprisingly to some, it’s a Lana Del Rey day today.

But, according to Murphy’s Law, no! Fate, instead, intervened with a couple of minor family situations that made me have to dig deep to be the responsible one of the family. I really hate adulthood sometimes! Man, if we only realized how much easier our childhood was we’d had never wished it away. Yet, for some reason, I did savor most of my college years like a fine wine. Or nice expensive bourbon. Or some high quality beer. Only, I did it on a Boone’s Farm budget. Regardless, I felt I lived those years the correct way.

And that meant, I spent much of my dormitory cafeteria wages on music, food and beer. You know, the three essentials of college life. When I started college, I had around 75 albums. When college was over, my collection grew to nearly 300. I was off and running. Then, I got that good-paying first job in a town with the greatest record store I had ever seen up to that point in my life. During those four years, my collection again doubled. As a microbiologist, I call that period of time the exponential growth phase of my music collection, which continued until I became a teacher.

Now, as an empty-nester, my music collection is in its third wave, if you are thinking about the graphs on COVID-19. We are in the early stages of a third peak on the graph, slowed only because of this stupid virus. I placed pre-orders for a few albums just as the pandemic was heating up, so I still have new albums by Weezer, Prince and Paul Weller to come in May. But, after that, who knows what will happen? And, it’s not looking good for my stellar summer concert lineup as well.

Anyway, enough of the babbling! Let’s crack up this Top 40 today!

40. Hanson – “Mmmbop” (1997). Sure, this song revived the whole teenybopper bubblegum pop thing all over again. Still, the song was fantastic. Plus, the Dust Brothers had perfected their whole production touch with this one.

39. Kajagoogoo – “Too Shy” (1983). These guys were discovered by one of the Duran Duran members. Then, their lead singer left the band for a solo career. But, the real story of the band was their bass player. He was the best thing in the band.

38. The Church – “Under the Milky Way” (1988). This just might be the greatest song ever recorded by an Australian band. And I’m including music by the Bee Gees, AC/DC, INXS, Men at Work, Midnight Oil, The Saints, Flash & the Pan, The Outsiders, Rose Tattoo, or any other artist from down under. This is a great song to listen to outside from dusk to dawn.

37. T’Pau – “Heart and Soul” (1987). First off, the band’s name comes from a Star Trek character, or at least I think so. I know it comes from some sci fi show. More importantly, this song sounded so good on my old Eighties Technics stereo. I really don’t think people realize what a great song this was. This truly was captured magic.

36. Starbuck – “Moonlight Feels Right” (1976). Many people claim that Yacht Rock really began when Michael McDonald joined the Doobie Brothers. Others say it was all Jimmy Buffett’s fault. Me? I point to this delectable song has a potential “patient zero” of sorts.

35. The Wonders – “That Thing You Do” (1996). Seriously! Isn’t it perfect that the film about a one-hit wonder and it’s lone hit single was a one-hit wonder on its own? Is life imitating art, or is art imitating life? Or, is it art imitating like that’s imitating art? Who cares! It’s a great song, written by Adam Schlesinger. Long live The Oneders!

34. T. Rex – “Bang a Gong (Get It On)” (1972). Here’s another Rock & Roll Hall of Fame artist who only had one hit here. Unbelievable! At least this song is universally considered to be a classic.

33. Cheryl Lynn – “Got to Be Real” (1978). This disco classic was released at the height of the Studio 54 days. Cheryl Lynn sung the hell of this one. But, how did a woman with those pipes manage only one hit song? That question is often the theme of this countdown.

32. The Contours – “Do You Love Me?” (1961). Motown pushed out several one-hit wonders during its great run as a label. But, this one just might be its quirkiest hit song ever. And, the Funk Brothers were at their loosest on this one.

31. Rockwell – “Somebody’s Watching Me” (1984). Here’s Motown’s quirkiest song of their L.A.-era. Performed by owner Berry Gordy Jr.’s son, who had backing vocal help by Thriller-era Michael Jackson, this song burned up the club dance floors and the pop chart during the spring of 1984. You know, everyone my age probably has a story surrounding this song and its lyrical content.

30. Tom Tom Club – “Genius of Love” (1981). So, Talking Heads changed the musical landscape in 1980 with their take on a fusion of world musical sounds and punk rock with the release of Remain in Light. Then, the members went off in different directions for their own creative outlets during which the husband/wife rhythm section of the band formed a studio coterie of musicians called Tom Tom Club. That debut album was a fun, tropic distillation of the lessons learned during the making of Remain in Light, topped off with some levity and booze and drugs to create this early foray into hip hop-influenced sounds with a pop sensibility. And we are still feeling the ramifications of this song today.

29. Ace – “How Long” (1975). Before this song became part of an ad for Amazon and before singer/songwriter/keyboardist was a member of Mike + The Mechanics, Squeeze or a solo artist of some renown Paul Carrack was the singer for an English pub rock band called Ace. And, this blue-eyed soul classic was Ace’s one hit song in the States.

28. The Five Stairsteps – “O-o-h Child” (1970). I have seen this classified as bubblegum soul. Are you kidding me?!?! This is a soul classic…period.

27. The Count Five – “Psychotic Reaction” (1966). This one is the beginning of punk rock, a full decade ahead of time.

26. Maurice Starr & the Zodiacs – “Stay” (1960). How can you NOT have this song in this countdown? Remember when Jackson Browne revived it on his outstanding Running on Empty album? Sorry, but even he could not outdo the original.

25. Norman Greenbaum – “Spirit in the Sky” (1970). THE Boomer song of choice for any film about the early-Seventies. This was from the height of a short-lived sub-genre known as Jesus Rock. Ironically, Greenbaum had been raised Jewish. Still, this has one of the classic guitar riffs of all-time.

24. Wild Cherry – “Play That Funky Music” (1976). This is what happens when a rock band creates one song as a parody of disco, then ends up with a monster hit on their hands. You just cannot live up to something like that happening. Regardless, the album sucked, but, man, could those white boys play that funky music. And, as quick as they were here, they were gone.

23. Beck – “Loser” (1992). This one is going to get me in trouble! Yes, Beck is one of the most critically acclaimed artists of the last three decades, has won multiple Grammys and will eventually end up in the RRHOF. But, believe it or not, this was his only entry onto the Billboard Hot 100. Scout’s honor, even though I was never a boy scout.

22. Looking Glass – “Brandy (You’re Such a Fine Girl)” (1972). The memories of my childhood from the summer of 1972 are intertwined with this song. That was the summer I discovered I could run long distances pretty fast, even though I was three years away from showing the world that talent. That’s when I was exposed to the three biggest running influences in my life: Frank Shorter, Dave Whottle and, most importantly, Steve Prefontaine. Plus, I loved that the Guardians of the Galaxy used it in their two movies.

21. Jane Child – “I Don’t Want to Fall in Love” (1990). This song burst onto the scene, then disappeared, along with its creator Jane Child. She was the first rock singer to have a pierced nose with a chain that ran to her ear. She was a half-decade ahead of society. More importantly, this song is a forgotten classic. Go back and listen to it again. I am right!

This can only mean that we are almost done with this countdown. Tomorrow, it’s the Top 20! Who will be number one? Check it out tomorrow.

Of course I watched the Prince special last night! And, yes, I thought The Time stole the whole show, no doubt about it. But, we all know that I am a Prince fanatic through and through, so we really don’t need to rehash it. Instead, I would like to tackle something else in this opening to my entry today.

If you haven’t seen it, may I recommend the Netflix docuseries Remasterd? This is an excellent storytelling series that brings to light some forgotten tales in the rock world. Specifically, there is an episode entitled The Lion’s Share, which is about the famous song “The Lion Sleeps Tonight” and legendary South African rock journalist Rian Malan’s quest to get the descendants of the poor South African man who actually wrote the song a cut of the profits from this one-hit wonder. Things like this never ceased to amaze me how these musicians continue to be exploited by record company executives for their gain while the true creative forces are marginalized. And this whole situation seems to get magnified when the artist is a minority or a foreigner, especially if said artist is black.

Of course, the man who is historically recognized as the man who wrote the song is a deceased black man from the country of apartheid South Africa. And, despite having songwriting credit in South Africa, his contract was exploited by American businessmen for their benefit without him ever being involved in the process. Not only have different artists have recorded the song, including the great folk artist and fighter for social injustice Pete Seeger, The Tokens recorded the most famous version of the song, which lands on today’s countdown. In the years since this version’s release, the song has made many people vastly wealthy especially after the song’s inclusion in the classic Disney movie and soundtrack, The Lion King.

To this day, Malan continues to try to fight for the man’s descendants to receive a cut of the pie, which is substantial. And all of this continues as the originator of the song died in poverty, as well as his family members. It is an amazing story, and very emotionally charged if you have a heart. And I continue to be amazed how one of the wealthiest companies in the world continues to fight this whole process when the documentation shows who owns the songwriting rights. And, although I love this version of the song, it makes me mad, and sad, that the creator of the thing is not recognized nor included in on the profits.

If you are interested in the full story, which is much more fascinating and complete than my blurb, watch the episode. Nearly a year after watching it, I am still pissed off about the situation.

With that said, let’s get the countdown going.

60. Stan Getz & Astrud Gilberto – “The Girl from Ipanema” (1964). Who knew that a tune by a jazz great and sung by an unknown Brazilian hottie would have such a lasting impact on the world?

59. Men Without Hats – “The Safety Dance” (1983). My college friends probably will not believe this is ranked so low as I played it all the time back in the day. “You can dance if you want to, but if you don’t dance, and you won’t dance, then you’re no friend of mine.”

58. Devo – “Whip It” (1980). I’m cheating again! Spuds unite!

57. The Darkness – “I Believe in a Thing Called Love” (2003). My older son loved this song at the time. He thought they were the second coming of T. Rex. And, he was correct because The Darkness joins T. Rex as a one-hit wonder here in the States.

56. The Verve – “Bittersweet Symphony” (1997). This Britpop classic is, unfortunately, the only hit song The Verve had over here. But, what a song this is! And, don’t get me wound up about the songwriting credits on this one either, even though this one actually got rectified recently.

55. The Capitols – “Cool Jerk” (1966). You know who really got exploited in the early days of rock music? The uncredited session musicians, especially The Funk Brothers, the stalwarts of all of those great Motown hits of the Sixties. So, when the guys got fed up with Berry Gordy Jr. screwing them, the went over to another label and created the sound of this record. Of course, they all went back to Motown only to get screwed again. Watch the fantastic documentary Standing in the Shadows for the full story (on HULU and Amazon Prime).

54. Johnny Kemp – “Just Got Paid” (1988). This takes me back to a time when my wife and I were first married and making a little money. And even though we were at home, we’d crank this song every pay-day Friday.

53. 4 Non Blondes – “What’s Up” (1993). Songwriter, producer and band leader Linda Perry is a pop/rock genius. This was her introduction to the world.

52. Gary Numan – “Cars” (1979). The icy-sounding synths of the song couple with that great hook made this a new wave classic. Numan was HUGE in the UK and Europe, but he only had one hit in America. Yet, it influence a multitude of artists across the genres here.

51. Bruce Channel – “Hey Baby!” (1961). Where would any film set in the early-Sixties be without this song?

50. Lipps Inc. – “Funkytown” (1980). Before Prince took over the world, we got an inkling of the Minneapolis sound when this song was unleashed on the world in 1980. “Funkytown” became a one-hit wonder all over again six years later when Pseudo Echo released a pop-punk version of the song and rode it into the Top 10, proving that a great song is just a great song.

49. The Tokens – “The Lion Sleeps Tonight” (1961). Controversy aside, this remains a timeless version of the song.

48. Billy Paul – “Me and Mrs. Jones” (1971). Just a terrific slice of Seventies Philly soul, I still am dumbfounded that this was Paul’s only hit song.

47. Georgia Satellites – “Keep Your Hands to Yourself” (1986). At a time when most song were drenched with synthesizers or were just another take on either Prince’s sound or a lame Hair Metal tune, the Georgia Satellites popped up with this update on the Southern Rock sound. And, just as quickly, they were gone. Yet, their great debut album remains in my collection to remind me they truly deserved better treatment by history.

46. Patti Smith – “Because the Night” (1978). I hate to admit that one of my favorite artists is a one-hit wonder, but it is true. And, for a woman who is recognized as a legendary songwriter, she shared a co-writing credit on this Bruce Springsteen tune.

45. Thin Lizzy – “The Boys Are Back in Town” (1976). Thin Lizzy is legendary, but this song is their only hit here in the States. I know! It doesn’t make any sense.

44. Edison Lighthouse – “Love Grows (Wherever My Rosemary Goes)” (1970). This just might be the greatest bubblegum pop song of all-time. I love to watch the video on YouTube because it just makes me laugh.

43. Ronald & Ruby – “Lollipop” (1958). To this today, I continue to hear teenagers sing this song. As a matter of fact, I have heard it sung at high school basketball games all over Central Indiana when I coached in the Nineties and 2000s. Talk about timeless.

42. Neneh Cherry – “Buffalo Stance” (1988). As I mentioned earlier, Neneh is one-half of the only siblings to be one-hit wonders in their own rights (Eagle-Eye Cherry is her brother). But, keep in mind that Neneh sampled a Malcolm McLaren (former manager of the Sex Pistols and just a music gadfly) song for this huge hit. It never stops amazing me how entwined music history can be.

41. Fountains of Wayne – “Stacy’s Mom” (2003). The late Adam Schlesinger’s band had this timeless slice of teenage lust, popularizing the American Pie concept of the MILF. Oh, and having supermodel Rachel Hunter star as Stacy’s mom is the video was a stroke of genius.

Which brings us to the end of the countdown for today. Stayed tuned, as we will begin to crack the Top 40 tomorrow.

Generally speaking, it seems as though you can place most one-hit wonders into one of two categories: flat-out rock classics and quirky novelty songs. But, then, every once in awhile, a song comes along that becomes a hit that defies categorization. That song could be something as left-field as performance artist Laurie Anderson’s 1982 hit “O Superman” or XTC’s atheistic ode “Dear God.” Let’s look a little closer at the latter.

XTC made an impact in there native UK in the waning punk days of the late-Seventies. They represented something of a bridge from the punk and new wave days to the post-punk era, along with The Cure, Depeche Mode, Bauhaus, and so many other terrific artists who only attained a cult following here in the States. XTC’s M.O. was taking a Beatlesque sound and creating a totally new vocabulary, when in 1986 the band teamed up with Todd Rundgren to produce something of an ode to Sgt. Pepper with their brilliant Skylarking album.

The initial release of that now-classic album did not include the eventual hit song “Dear God.” That song was actually released as a B-side. But, as often is the case, a DJ flipped the record and began playing the song that openly questioned the existence of God. And, believe it or not, the song became the band’s only American hit during the waning days of the Reagan administration. Of course, when the band’s label started to see “Dear God” take off on the radio, they scrambled to include this left-field hit on the band’s new album. And, the rest, as they say, is history.

Vividly, I remember hearing the original version of the LP without “Dear God.” The hospital in which I worked had a bunch of college students who worked as phlebotomists and specimen distributors, so we were constantly discussing the latest music, with XTC being a band of the moment. But, to me, the album became even more substantial once “Dear God” was added, as I feel the song grounded the song in reality. It is a stark, existential song within the context of a series of songs dealing with the idea of growing up. The pre-“Dear God” version was more a whimsical and yearning album, while the inclusion of that one song breaks up the mood nicely and makes the record a substantive statement.

“Dear God” is one of the 20 songs today, and I simply felt it warranted a little more praise even though I have it ranked relatively lower than I feel like its importance warrants. Simply put, the song brings up a topic with which most young adults grapple: the existence of God. And, while it stands as a fine stand-alone statement as a single, it works even better within the context of the album.

With that sobering introduction, let’s focus on all the fun songs that are also included on today’s list. Let’s get rockin’!

80. Thomas Dolby – “She Blinded Me with Science” (1982). The nerd anthem of the Eighties.

79. Timex Social Club – “Rumors” (1986). This long-forgotten song was one of the first songs to be overtly influenced by hip hop. Too bad its full impact has been lost to history.

78. Len – “Steal My Sunshine” (1999). I have always loved this song for its carefree lyrics. Reminds of the bubblegum pop of my youth, and there’s nothing wrong with that.

77. XTC – “Dear God” (1986). The Eighties were so very crazy that a song questioning the existence of God was even a hit. No surprise when it’s as brilliant as this is. But, seriously, with the number of fantastic songs in the XTC catalog, why was this their only American hit?

76. Marc Cohn – “Walking in Memphis” (1991). The only hit by the former Mr. Elizabeth Vargas is a crime. This guy is so very talented.

75. Robbie Nevil – “C’est la Vie” (1986). For the life of me, why was this guy a star?

74. Jermaine Stewart – “We Don’t Have to Take Our Clothes Off” (1986). This song is a perfect time capsule of mid-Eighties music, both lyrically and instrumentally. Unfortunately, Mr. Stewart was an early casualty in the AIDS epidemic.

73. The Vapors – “Turning Japanese” (1980). This catchy power pop/new wave hit is not the ode to early-Eighties Japanese culture you might think it is. It’s a little racist view of some solo activity.

72. Semisonic – “Closing Time” (1998). This one is a metaphor song for the upcoming birth of a child. This became a rallying cry for the ninth month of one of my daughters-in-law’s pregnancies.

71. Frankie Smith – “Double Dutch Bus” (1980). It is rap or not? I don’t care! It reminds me of a fun time in my life. Plus, Snoop made a career out of its lyrics.

70. Club Nouveau – “Lean on Me” (1987). Take a Bill Withers standard and apply a reggae beat to it, add some Eighties-styled synth flourishes to it, and you have a huge hit song that made a whole generation of people forget the original, no matter if that was wrong.

69. Nu Schooz – “I Can’t Wait” (1986). I remember after hearing this song a couple of times that I knew it was some cool urban band who recorded this club classic. Imagine the world’s surprise when you discovered it was a white middle class couple who did this. Well, I needed some clean shorts.

68. Red Rider – “Lunatic Fringe” (1981). One of Canada’s greatest rock exports only had one hit south of the border. But, the story did not end there! Lead singer Tom Cochrane also had a single hit a decade later with “Life Is a Highway.” That’s a double-shot one-hit wonder.

67. Tommy Tutone – “867-5309/Jenny” (1982). I keep yelling that Tommy Tutone actually is NOT a one-hit wonder, yet I have them on the list. I’m a hypocrite.

66. Stories – “Brother Louie” (1973). You might remember this song as the theme song for Louis CK’s hit TV show. You also might be surprised that this band was really a power pop band who originally recorded this R&B song as a B-side. But the record intervened, and the rest is history…and so was the Stories’ career.

65. Jeannie C. Riley – “Harper Valley PTA” (1968). This ode to rural small town America was such a sensation that there was no way Riley could ever follow it up. Nothing like exposing the underbelly of that wholesome image.

64. The Buggles – “Video Killed the Radio Star” (1979). Even if the song weren’t great, it HAD to be the first video on MTV based on its title alone. Throw in that it’s a new wave classic, well, then it had to be on this list. Fun facts: (1) did you know that this duo was added to the line-up of prog rock gods Yes for one disastrous album? (2) Keyboardist Geoffrey Downes became a founding member of Eighties supergroup Asia. And (3), vocalist Trevor Horn became an in-demand record producer for the likes of Art of Noise, Frankie Goes to Hollywood and, ironically of course, Yes on their 90125 album. The Buggles’ impact was greater than many other one-hit wonders.

63. The Shadows of Knight – “Gloria” (1966). Yes, everyone from Van Morrison to Patti Smith has done a version of this song. But, this garage punk version is the definitive one.

62. The Champs – “Tequila” (1958). What a great instrumental! And, if it wasn’t for this tune, where would had that iconic scene of Pee Wee Herman dancing in those huge shoes in his first movie been like?

61. Ram Jam – “Black Betty” (1976). This hit is both racist AND misogynistic at the same time. And, it was still a hit! Oh, man, the Seventies were a different time. But, the guitar riff is so awesome! This song just pains me to rank. Musically, I love it. Lyrically, it appalls me. Still, I rank it high. Like I said earlier, I’m a hypocrite.

Okay, fans. There you have it, for better or for worse. See you tomorrow for the next installment of this countdown. I don’t anticipate anymore existential crises.

Since the COVID-19 death of the great John Prine, I have read many articles about this man. I am very embarrassed to admit that I got to his party very late, like when my older son was in college. He brought home a box set of Prine’s music, and, of course, I was floored. You see, in the pre-internet days, discovering music was difficult, plus I had a bias against folk and country artists. That all changed because of my older son.

Anyway, Prine’s lyrical points of view were always interesting to me. But, I was struck by a quote he said about songwriting. He said, and I am paraphrasing, that when he stares at a blank piece of paper, he was amazed at what he choose NOT to write about. Think about that, of everything in the world that you can write about, the writer has the ability to choose what NOT to write. It seems so simple, yet, simultaneously, it seems so profound.

Now, what does this have to do with one-hit wonders? Absolutely nothing. It’s just that I could have written about anything leading up to this point (COVID-19, some interesting factoid about one of the upcoming artists, what album I currently listening to – Cheap Trick’s Black Friday Record Store Day release Are You Ready? Live 12/31/1979 if you must know – or any other stupid crap I could think of. But, no, I wanted to admit that I am not a know-it-all when it comes to music. Sure, I know more that the average person should probably ever know, but at 57 years old, I am still discovering music from the past. But, I am a pop/rock guy who came of age at the end of the DJ-dominated era and the dawn of corporate programming and MTV, which is both liberating and a curse. But, that’s what makes one-hit wonders so fascinating to me. And, this week, we finally break into my Top 100.

So, let’s get this party started! On with the countdown.

100. Frank & Moon Unit Zappa – “Valley Girl” (1982). Supposedly, Frank overheard daughter Moon making fun of the way some girls spoke at school, which Frank then immortalized in this song. Ironically, it became something of a novelty hit at the time. Yet, it has got to be included in a 1982 time capsule, along with a copy of Fast Times at Ridgemont High and the LP Business as Usual by Men at Work.

99. Midnight Oil – “Beds Are Burning” (1987). I really thought Midnight Oil were going to become something of a new U2 at the time. But, this Aussie band had bigger plans, as lead singer Peter Garrett went on to become a politician of high regard in Australia with his environmental concerns. Yet, this political rant about the Aborigines’ plight lives on.

98. Planet P Project – “Why Me” (1983). This slice of prog rock by Tony Carey’s studio group set the stage for Yes’ 90125 transformation later in the year as it combined the best of prog with flourishes of new wave. This one does not receive the credit it deserves.

97. Deep Blue Something – “Breakfast at Tiffany’s” (1995). I know the purists out there are crying, “Foul!” on this one. But, any song that claims that a relationship should stick together because of some stupid movie is too funny not to be included. Yes, it’s icky and gooey, but so is quite a bit of candy that I like. And, it’s MY countdown!

96. E.U. – “Da Butt” (1988). Before twerking, we had Da Butt. Da Butt was simply a slowed down version of tonight’s rump shaker. This slice of D.C. go-go music was included in the Spike Lee film School Daze and become a club sensation in the aftermath.

95. A-ha – “Take on Me” (1985). This was first and foremost a fantastic cutting edge video. But, I think the song is great, but a little overrated. Regardless, it is timeless. Plus, Weezer did a helluva cover version last year.

94. Scritti Politti – “Perfect Way” (1985). Scritti Politti was one of the punk bands-turned-pop masterminds that were so prevalent in the 1980s. Unfortunately for the American public, this was the only hit song the band had. To this day, I maintain that their album, Cupid and Psyche 85, is a lost classic.

93. Wall of Voodoo – “Mexican Radio” (1982). Wall of Voodoo was a great band. I saw them open for Devo during a “closed circuit” broadcast of their Halloween concert in 1983. The poor girl who went with me didn’t know what had hit her as we watched it. That became our last date. At least this song lasted longer.

92. The Weather Girls – “It’s Raining Men” (1982). One of the last vestiges of disco, this Paul Schaffer-co-write was a fantastic piece of camp that bridged the transformation of disco music into dance music. Was there really a difference? Nah!

91. The Silhouettes – “Get a Job” (1957). Back during the heyday of the TV show Happy Days, we experienced a little Fifties nostalgia that our parents were driving. This song always stuck with me because of its rebellious nature masked by its humor.

90. John Stewart – “Gold” (1979). Having Stevie Nicks lend her vocal magic finally garnered the long-time critic darling songwriter his only hit song. It remains one of my best friend’s favorite songs of all-time. And, it came from the Summer of 1979, which was a stellar summer of great hit songs.

89. Thunderclap Newman – “Something in the Air” (1969). I remember loving this song as a kid. The lyrics always seems foreboding to me, which for some reason I loved as a six-year-old and continue to this day. And, then, my man Tom Petty covered it and brought the song to a whole new generation.

88. Charles & Eddie – “Would I Lie to You?” (1992). In the beginning days of grunge and New Jack musics, along came this tune that took me back to the sweet soul days of the early Seventies. This song single-handedly forced me to rediscover The Spinners, The Chi-Lites and all of the rest of those great soul vocal groups from two decades prior. What a great song that has probably been forgotten by many of you.

87. Nazareth – “Love Hurts” (1975). THE slow dance standard from my middle school years, this song was one of the first popular power ballads AND a cover of the Everly Brothers. How can you go wrong?

86. The Waitresses – “I Know What Boys Like” (1981). Talk about a great band that is unjustly remembered for two songs, this one and “Christmas Wrapping.” The Waitresses were a band that hailed from Akron, Ohio, whose female-empowering songs were written by a man, Chris Butler, and sung with perfect attitude by lead singer Patty Donahue. What a fun song!

85. Sniff ‘n’ The Tears – “Driver’s Seat” (1979). Yet another terrific song from the summer of 1979, “Driver’s Seat” happens to be one of the greatest songs to listen to while cruising at night with the windows down on a warm summer night. It also doubles as a great make out song. At least, I imagine it would be.

84. Mountain – “Mississippi Queen” (1970). This classic rock radio staple was the only hit for these road warriors, a power trio band whose members were such big men that they lived up to the name of their band with their size and their sound. Everyone has heard this one in a bar at one time or another.

83. Bow Wow Wow – “I Want Candy” (1982). This MTV staple was a cover of The Strangelove’s 1965 hit and was the only hit by this controversial band. Controversial for the early-Eighties, since the lead singer was exploiting her Lolita-like sexuality even though she was only 16 at the time. Of course, Britney Spears and Christina Aguilera made whole careers by doing the very same thing around a decade-and-a-half later.

82. Free – “All Right Now” (1970). This was America’s introduction to the vocal talents of Paul Rodgers, who’d shortly become the vocalist of the supergroup Bad Company. And, we all know this song from classic rock radio.

81. The Standells – “Dirty Water” (1965). In the mid-Sixties, kids were starting garage bands all over the world and having hit songs, as depicted in the terrific film That Thing You Do. The cool thing is The Standells sounded like The Stones and recorded this pre-punk classic. Then, a decade later, punk bands popped up everywhere playing this song all over again.

The numbers get smaller as the hits get bigger. Stay tuned for more of the countdown!

I know I am jumping the game a little bit, but I would love to point out an artist who is in this countdown as a songwriter twice, and that artist is the late Adam Schlesinger of Fountains of Wayne-fame and one-hit wonder “Stacy’s Mom.” Recently, Schlesinger was a victim of the COVID-19 pandemic, and his songwriting is going to be missed by me. To be honest, I became familiar with his work through his involvement in the great Tom Hanks project That Thing You Do. Schlesinger lent his talents to the project by writing or co-writing many of the songs on the soundtrack, most memorably the title song which itself is another one-hit wonder by the fictional band The Wonders.

Knowing I was in the middle of this multiple-part series, my older son sent me an article from Rolling Stone stating that The Wonders were reuniting to perform in a Zoom-type group performance for the first time in a quarter century to help raise many for Adam’s expenses. That film and soundtrack were special in the Keller household back in the mid-Nineties, as pre-teen boys are wont to do by playing a movie over and over again. So, the band originally known as The Oneders (pronounced “The O-needers,” or as guitarist Lenny once said, “That’s The O-netters.”) will be paying tribute to their famous song’s creator.

Unfortunately, neither Fountains of Wayne nor The Wonders are in today’s countdown. But, the timing of the story was impeccable and worthy enough for a mention today. See? A current story not only about a single one-hit wonder but TWO!

With that said, let’s move on with the countdown.

150. Nena – “99 Luftballons” (1984)

149. Icona Pop featuring Charli XCX – “I Love It” (2013)

148. Meredith Brooks – “Bitch” (1997)

147. Big Country – “In a Big Country” (1983)

146. Iron Butterfly – “In-A-Gadda-Da-Vida” (1968)

145. Oran “Juice” Jones – “The Rain” (1986)

144. Twisted Sister – “We’re Not Gonna Take It” (1984)

143. Flash & the Pan – “Hey! St. Peter” (1979)

142. Pilot – “Magic” (1974)

141. Spiral Starecase – “More Today Than Yesterday” (1969)

140. The Calling – “Everywhere You Will Go” (2003)

139. Shannon – “Let the Music Play” (1983)

138. American Hi-Fi – “Flavor of the Weak” (2000)

137. The Monotones – “The Book of Love” (1958)

136. Chumbawumba – “Tubthumping” (1997)

135. Blind Melon – “No Rain” (1993)

134. Vanilla Ice – “Ice Ice Baby” (1991)

133. Haircut One Hundred – “Love Plus One” (1982)

132. Dr. John – “Right Place, Wrong Time” (1973)

131. Alannah Myles – “Black Velvet” (1989)

130. Bertie Higgins – “Key Largo” (1981)

129. Jeff Healey Band – “Angel Eyes” (1989)

128. Philip Bailey & Phil Collins – “Easy Lover” (1984)

127. Shocking Blue – “Venus” (1970)

126. Tom Cochrane – “Life Is a Highway” (1991)

125. Katrina & the Waves – “Walking on Sunshine” (1985)

124. Joan Osborne – “One of Us” (1995)

123. House of Pain – “Jump Around” (1992)

122. Callaway – “I Wanna Be Rich” (1989)

121. Rob Base & DJ E-Z Rock – “It Takes Two” (1988)

120. Swing Out Sister – “Breakout” (1986)

119. Anita Ward – “Ring My Bell” (1979)

118. Patrice Rushen – “Forget Me Nots” (1982)

117. Toni Basil – “Mickey” (1982)

116. Biz Markie – “Just a Friend” (1989)

115. MFSB featuring The Three Degrees – “TSOP (The Sound of Philadelphia)” (1974). The theme song for Soul Train.

114. Bobby Day – “Rockin’ Robin” (1958)

113. General Public – “Tenderness” (1984)

112. Nick Lowe – “Cruel to Be Kind” (1979)

111. The Dream Academy – “Life in a Northern Town” (1985)

110. The Outsiders – “Time Won’t Let Me” (1966)

109. Ziggy Marley & the Melody Makers – “Tomorrow People” (1988)

108. First Class – “Beach Baby” (1974)

107. Human Beinz – “Nobody but Me” (1968)

106. Sanford Townsend Band – “Smoke from a Distant Fire” (1976)

105. Natalie Imbruglia – “Torn” (1997)

104. Divinyls – “I Touch Myself” (1990)

103. The Outfield – “Your Love” (1986)

102. Steam – “Na Na Hey Hey Kiss Him Goodbye” (1969)

101. After the Fire – “Der Kommissar” (1982)

And all that’s left is my Top 100. Stay safe, stay healthy, wash your hands and wear a mask and gloves if you go out. Have a great weekend!

A few of the artists on this multi-day list are artists whom I actually follow. Personally, I have multiple albums by Dexys Midnight Runners in my collection for I find the mastermind behind the band, Kevin Rowland, a fascinating pop visionary. Still, I can understand why only “Come on Eileen” broke big here in the States. The same can be said for Fiona Apple, Madness, Nick Lowe, Midnight Oil, Frank Zappa, Devo and so many others.

And, of course, there are intriguing artists littered throughout the countdown whom I was certain big things were going to be heard from them only to watch them disappear. Take Natalie Imbruglia as my first example. I distinctly remember her mid-Nineties SNL appearance being pimped so hard along with a major star-making machine placing all over the music media. Then, her hit “Torn” was a truly great song. She had “The Look.” She had the musical goods, a pretty good album, a fantastic video, etc. But, where is she now? Anyone remember Robbie Nevil? He had a huge hit in 1986, “C’est la Vie.” At one time, I actually owned his debut album, and it was a good album. But, he simply fell off the face of the musical world. And there are others, such as Nu Shooz, Kajagoogoo and Crazy Town.

Yet, as I stated earlier in this series, this is what makes the whole history of rock music so very compelling to me. The fact that a person or a group of people bottled enough rock mojo into one song that they are forever remembered by people. That type of notoriety never really happened in the days of Mozart or even in jazz. Nor are these types of songs held onto so endearingly in country music. Yet, we continue to hear on all forms of rock and pop radio “One-Hit Wonder Weekends” or even a “One-Hit Wonder Day.”

With that said, let’s continue the countdown.

200. Toby Beau – “My Angel Baby” (1978)

199. Dionne Farris – “I Know” (1995)

198. Bob & Doug McKenzie featuring Geddy Lee – “Take Off” (1982)

197. The Swingin’ Medallions – “Double Shot (Of My Baby’s Love” (1966)

196. Mungo Jerry – “In the Summertime” (1970)

195. Tag Team – “Whomp! There It Is” (1993)

194. Brewer & Shipley – “One Toke over the Line” (1970)

193. Right Said Fred – “I’m Too Sexy” (1991)

192. Europe – “The Final Countdown” (1986)

191. Mary Jane Girls – “In My House” (1985)

190. The Music Machine – “Talk Talk” (1966)

189. Van McCoy – “The Hustle” (1975)

188. The Ataris – “The Boys of Summer” (2003). These guys were from nearby Anderson, Indiana.

187. Eagle-Eye Cherry – “Save Tonight” (1997). His sister, Neneh Cherry, is also a one-hit wonder, making the Cherry family a double shot of one-hit wonders.

186. Walter Egan – “Magnet and Steel” (1978)

185. Marcy Playground – “Sex and Candy” (1997)

184. Information Society – “What’s on Your Mind (Pure Energy)” (1988)

183. Deee-Lite – “Groove Is in the Heart” (1990)

182. Cutting Crew – “(I Just) Died in Your Arms” (1986)

181. Ten Years After – “I’d Love to Change the World” (1971)

180. Alicia Bridges – “I Love the Nightlife” (1978)

179. Fiona Apple – “Criminal” (1997)

178. The Wallflowers – “One Headlight” (1996)

177. Vixen – “Edge of a Broken Heart” (1988)

176. Aldo Nova – “Fantasy” (1982)

175. Aqua – “Barbie Girl” (1997)

174. The La’s – “There She Goes” (1990)

173. ‘Til Tuesday – “Voices Carry” (1985)

172. Robbie Dupree – “Steal Away” (1980)

171. The Flying Lizards – “Money (That’s What I Want)” (1979). This song was a one-hit wonder for TWO artists.

170. Jean Knight – “Mr. Big Stuff” (1971)

169. Mathew Wilder – “Break My Stride” (1983)

168. Blue Swede – “Hooked on a Feeling” (1973)

167. La Roux – “Bulletproof” (2009)

166. Timbuk 3 – “The Future’s So Bright, I Gotta Wear Shades” (1986)

165. Billy Swan – “I Can Help” (1974)

164. Paul Hardcastle – “19” (1985)

163. The Boomtown Rats – “I Don’t Like Mondays” (1979)

162. Nik Kershaw – “Wouldn’t It Be Good” (1984)

161. OMC – “How Bizarre” (1996)

160. Musical Youth – “Pass the Dutchie” (1982)

159. Maria Muldaur – “Midnight at the Oasis” (1974)

158. Gregory Abbott – “Shake You Down” (1986)

157. Eddy Grant – “Electric Avenue” (1983)

156. Capital Cities – “Safe and Sound” (2013)

155. Madness – “Our House” (1983)

154. Billy Vera & the Beaters – “At This Moment” (1985)

153. Patrick Hernandez – “Born to Be Alive” (1979)

152. Grover Washington Jr. – “Just the Two of Us” (1981)

151. Michael Sembello – “Maniac” (1983)

And, now, we are half-way through this countdown. See ya tomorrow! Same Bat-Time! Same Bat-Channel!